Books
Interpreting Art (UCL Press, 2022)
Art and Form: From Roger Fry to Global Modernism (Penn State University Press, 2019)
Journal articles
‘Post-Impressionism: Universal, British, Global’, Art History (2022)
‘Peer Review in Art History’, The Burlington Magazine 161 (August 2019): 621-5
‘The Fear of Aesthetics in Art and Literary Theory’, New Literary History 48 (Spring 2017): 223-44
‘Close Looking and Conviction’, Art History 40 (February 2017): 156-77
‘The Significance of Form’, nonsite.org 20 (January 2017): www.nonsite.org/feature/the-significance-of-form
‘“With an Almost Pathetic Fatality Doing What is Right”: Late Sickert and his Critics’, Art History 27 (February 2014): 126-47
‘The Visual Arts in the BBC’s ‘The Listener’, 1929-1939’, The Burlington Magazine 155 (September 2013): 606-11
Book chapters and other
‘Final Years and Echoes’ / , in Walter Sickert, exh. cat., Tate and Petit Palais (forthcoming)
‘Perception’ (with Bence Nanay), The Blackwell Companion to Arthur Danto, ed., Lydia Goehr and Jonathan Gilmore (Oxford: Blackwell, 2022)
‘Being Ironic with Style’, in Figuring out Figurative Art: Contemporary Philosophers on Contemporary Paintings, ed., Damien Freeman and Derek Matravers (Routledge, 2015), pp. 73-85
‘Formalism in Art Criticism’, in The Encyclopedia of Aesthetics, ed., Michael Kelly (Oxford University Press, 2014), vol. II, pp. 213-6
Nine book reviews (2013-) in Apollo (1), Art History (2), The Burlington Magazine (2), and the Times Literary Supplement (4)
Edited collection
‘Postwar American Art between Provincialism and Transnationalism’ (edited with Alistair Rider), Tate Papers 32 (Autumn 2019)
Interpreting Art (UCL Press, 2022)
Art and Form: From Roger Fry to Global Modernism (Penn State University Press, 2019)
Journal articles
‘Post-Impressionism: Universal, British, Global’, Art History (2022)
‘Peer Review in Art History’, The Burlington Magazine 161 (August 2019): 621-5
‘The Fear of Aesthetics in Art and Literary Theory’, New Literary History 48 (Spring 2017): 223-44
‘Close Looking and Conviction’, Art History 40 (February 2017): 156-77
‘The Significance of Form’, nonsite.org 20 (January 2017): www.nonsite.org/feature/the-significance-of-form
‘“With an Almost Pathetic Fatality Doing What is Right”: Late Sickert and his Critics’, Art History 27 (February 2014): 126-47
‘The Visual Arts in the BBC’s ‘The Listener’, 1929-1939’, The Burlington Magazine 155 (September 2013): 606-11
Book chapters and other
‘Final Years and Echoes’ / , in Walter Sickert, exh. cat., Tate and Petit Palais (forthcoming)
‘Perception’ (with Bence Nanay), The Blackwell Companion to Arthur Danto, ed., Lydia Goehr and Jonathan Gilmore (Oxford: Blackwell, 2022)
‘Being Ironic with Style’, in Figuring out Figurative Art: Contemporary Philosophers on Contemporary Paintings, ed., Damien Freeman and Derek Matravers (Routledge, 2015), pp. 73-85
‘Formalism in Art Criticism’, in The Encyclopedia of Aesthetics, ed., Michael Kelly (Oxford University Press, 2014), vol. II, pp. 213-6
Nine book reviews (2013-) in Apollo (1), Art History (2), The Burlington Magazine (2), and the Times Literary Supplement (4)
Edited collection
‘Postwar American Art between Provincialism and Transnationalism’ (edited with Alistair Rider), Tate Papers 32 (Autumn 2019)