SAM ROSE
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Books

Interpreting Art (UCL Press, 2022)
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Art and Form: From Roger Fry to Global Modernism (Penn State University Press, 2019)

Journal articles

‘Post-Impressionism: Universal, British, Global’, Art History (2022)
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‘Peer Review in Art History’, The Burlington Magazine 161 (August 2019): 621-5

‘The Fear of Aesthetics in Art and Literary Theory’, New Literary History 48 (Spring 2017): 223-44

‘Close Looking and Conviction’, Art History 40 (February 2017): 156-77

‘The Significance of Form’, nonsite.org 20 (January 2017): www.nonsite.org/feature/the-significance-of-form

‘“With an Almost Pathetic Fatality Doing What is Right”: Late Sickert and his Critics’, Art History 27 (February 2014): 126-47

‘The Visual Arts in the BBC’s ‘The Listener’, 1929-1939’, The Burlington Magazine 155 (September 2013): 606-11

Book chapters and other

‘Final Years and Echoes’ / , in Walter Sickert, exh. cat., Tate and Petit Palais (forthcoming)

‘Perception’ (with Bence Nanay), The Blackwell Companion to Arthur Danto, ed., Lydia Goehr and Jonathan Gilmore (Oxford: Blackwell, 2022)

‘Being Ironic with Style’, in Figuring out Figurative Art: Contemporary Philosophers on Contemporary Paintings, ed., Damien Freeman and Derek Matravers (Routledge, 2015), pp. 73-85

‘Formalism in Art Criticism’, in The Encyclopedia of Aesthetics, ed., Michael Kelly (Oxford University Press, 2014), vol. II, pp. 213-6

Nine book reviews (2013-) in Apollo (1), Art History (2), The Burlington Magazine (2), and the Times Literary Supplement (4) 

Edited collection

​‘Postwar American Art between Provincialism and Transnationalism’ (edited with Alistair Rider), Tate Papers 32 (Autumn 2019)
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  • Home
  • Publications
  • Art and Form
  • Interpreting Art